簡(jiǎn)介：直升機(jī)駕駛員瓦里科在格魯吉亞山區(qū)工作，為交通不便的群眾運(yùn)送生活物資、放映電影。當(dāng)?shù)厝罕娛謵鄞魉?，稱他“米米諾”。有一次，他遇到從前的同學(xué)，如今人家已是大型客機(jī)上的機(jī)長(zhǎng)了。瓦里科心中十分羨慕，很想到大飛機(jī)上去工作。于是他辭去了山區(qū)的職務(wù)，只身來到城里。在城里，瓦里科受到許多冷遇。他與一個(gè)莽撞司機(jī)哈切基揚(yáng)萍水相逢，兩人在城里又經(jīng)歷了一系列奇遇。城里的人情冷漠使瓦里科很不自在，他不時(shí)地回憶起山區(qū)群眾……

簡(jiǎn)介：A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.…