簡介：蘇聯(lián)版的“俠盜羅賓漢”的故事。因為可以接觸到客戶的財務數(shù)據(jù)，在保險公司供職的主人公可以推斷出哪些客戶是詐騙犯或腐敗分子。他白天是朝九晚五的公司職員，晚上是“偷車大盜”。 他“搶劫和敲詐”那些壞人的汽車，并把獲得的錢都匿名捐給慈善機構。他很快遇到了一個麻煩，他最好的朋友是個警察，正在竭力抓捕那個竊車賊...　　目前看過梁贊諾夫最好的作品，一個俄版都市俠盜的故事，簡單而精巧，情節(jié)緊湊人物豐富，喜劇橋段大都能夠跨越語言的界限，之后幾部著名作品中使用的的手法也基本成熟，尤其是其中追逐的橋段對空間的立體運用十分獨特，效果超越同時期好萊塢公路電影。

簡介：A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.…