簡介：故事發(fā)生在丹麥一個宗教氛圍極濃的村子里，農(nóng)夫波根有三個兒子，大兒子對宗教持懷疑態(tài)度，性情叛逆；小兒子居然與不同信仰的女孩談戀愛，而影片的主角、三兄弟中的老二相信自己就是耶穌，被大家當成瘋子，因為本來讀神學(xué)的他在經(jīng)歷未婚妻離世后打擊太大而成瘋癲；但有一天老二開始“顯靈”，讓死人復(fù)活，自己的神智也開始恢復(fù)。

簡介：影片聚焦法國民族女英雄圣女貞德（瑪利亞·法奧康涅蒂 Maria Falconetti飾）生命的最后時刻，再現(xiàn)了她被出賣落入勃艮第叛軍手中后，在英格蘭監(jiān)獄和法庭上，從受審到處死的全過程。被英格蘭當局嚴密控制的天主教會，指控貞德為異端和女巫。法庭上，法官更偽造證據(jù)，以信仰問題不斷對她施以精神上和肉體上的折磨。面對慘無人道的酷刑與子虛烏有的誣陷，貞德正氣凜然、堅貞不屈。最后，貞德被押赴魯昂市廣場，被綁在火刑柱上活活燒死?！　∮梢淮娪按髱熆枴の鲓W多·德萊葉執(zhí)導(dǎo)拍攝的影片《圣女貞德蒙難記》，被稱為世界十大最佳影片之一。影片以極具震撼力的藝術(shù)表現(xiàn)手法，再現(xiàn)了這段受到天主教會和英國占領(lǐng)軍折磨的民族英雄短暫生命中的最后時刻。

簡介：維克托是個大男子主義者，在他眼里，妻子艾達所做的一切都是理所應(yīng)當?shù)?。有一天，艾達被辭退了，心中更加無比憤懣，維克托的老奶奶和朋友們于是決定演一出好戲，讓維克托反思自己過去的行為。

簡介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church.　　On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

簡介：Russie, 1905. Lasse de l'atmosphère antisémite de son village natal, la jeune Hanne Segal part à Saint-Pétersbourg rejoindre son frère Jacob qui, converti au christianisme, est devenu un riche avocat. Elle y retrouve aussi son ancien ami Sacha, entré dans un groupe révolutionnaire...

簡介：影片聚焦法國民族女英雄圣女貞德（瑪利亞·法奧康涅蒂 Maria Falconetti飾）生命的最后時刻，再現(xiàn)了她被出賣落入勃艮第叛軍手中后，在英格蘭監(jiān)獄和法庭上，從受審到處死的全過程。被英格蘭當局嚴密控制的天主教會，指控貞德為異端和女巫。法庭上，法官更偽造證據(jù)，以信仰問題不斷對她施以精神上和肉體上的折磨。面對慘無人道的酷刑與子虛烏有的誣陷，貞德正氣凜然、堅貞不屈。最后，貞德被押赴魯昂市廣場，被綁在火刑柱上活活燒死。                                                                    　　由一代電影大師卡爾·西奧多·德萊葉執(zhí)導(dǎo)拍攝的影片《圣女貞德蒙難記》，被稱為世界十大最佳影片之一。影片以極具震撼力的藝術(shù)表現(xiàn)手法，再現(xiàn)了這段受到天主教會和英國占領(lǐng)軍折磨的民族英雄短暫生命中的最后時刻。

簡介：卡爾·西奧多·德萊葉這部喜劇引出心靈流變的軌跡，并在喜劇形式表現(xiàn)中要求夸張的轉(zhuǎn)折與表演方式。他的簡單主義從《總統(tǒng)》的辦公室開始到瑪格麗特夫人的屋舍，更趨向樸質(zhì)。而對容貌的描寫這里也有了開端。影片中的騙徒，終究抵抗不了良心的責(zé)備以及虛假婚姻阻隔與女友之間的真情。但有趣的是，被騙的老婦卻早已察覺他的不懷好意但又絕非惡徒。反而是外力最后促使內(nèi)在的圓滿。

簡介：本片是德萊葉的第一部有聲片，是恐怖片的經(jīng)典，而且比現(xiàn)代恐怖片更具有心理震撼性。 影片以營造氣氛著稱，彌漫著夢幻和詭異。 故事講述一個年輕人覺得自己遭到僵尸的包圍，并幻想自己被安葬到墳?zāi)估铩?影片采用了很多新奇的拍攝角度，營造出獨具一格的映像效果，又通過暗示手法展現(xiàn)邪惡的力量，取得了前所未有的成績，將恐怖類型片提高到藝術(shù)片的高度。