簡(jiǎn)介：InthetimeofCounter-Reformation,amillerandhissoncomeunderinvestigationbyapriestoftheInquisition,whenrumorsspreadthattheirprosperitycomesfromworkingwiththeDevil.TheDevil’sTrapisafilmdirectedbyFranti?ekVlá?il,basedonanovelbyAlfrédTechnik,adaptedbyFranti?ekA.DvorákandMilo?Kratochvíl.ItwasthefirstofthreehistoricaldramasthatVlá?ilmadeduringtheCzechNewWave(technicallyheisn’treallyapartoftheNewWave,howeverthesefilmsweremadeduringthesameeraofartisticfreedom),precedinghismorewellknownMarketaLazarová(1967)andValleyoftheBees(1968).Setinthelate16thCenturyduringtheCatholicReformation,intheMoravianKarst,situatedinwhatisnowtheEasternCzechRepublic,ittellsthetaleofamiller(VítezslavVejrazka),andhissonJan(VítOlmer),whocomeundersuspicionandareinvestigatedbyaJesuitpriestoftheInquisition(MiroslavMacháchek),whenrumorsofwitchcraftarespreadbythelocalregent(CestmírRanda),whoisjealousofthemiller’sprosperityanddegreeofrespectamongthelocalpopulace.AsexpectedfromVlá?il,thisfilmisastunningexperienceallthewaythrough.Fromtheopeningshot,anominousmanipulationofperspectivewithacloseupofamangledfigureofChristdominatingtheforegroundagainstatinyfigureinblackwalkingalongthehorizon,tothebreathtakingconfrontationalfinaleinsidethevaststalactitefilledKarstcaverns,itisawonderfuldisplayofvisualmastery.MaybenotquiteasimpressiveasMarketaLazarová,butstillfullofastonishingimagery.Asseenfromuniqueanglesanddistinctpointsofviewwhichhighlightthedirector’sremarkablesenseofawarenessofframing,motion,andpositioningontheemotionalanddramatictoneofthescene.Themostmemorablebeingarepeatedshotwherethecameraissuspendedandlaunchedwithspeedthroughtheairtowardsthemiller’sdoor.ThestoryhereisasimpleoneandIwouldsaymoreaccessiblethanhislaterworks.Withaconventionalstructureemphasizedasmuchbyitsplotandcharacters,thanbyitsexpressionisticcinematographyorauthentichistoricaldetail.Theeventsplayoutwithoutmuchsurprise,andthereisastrongunderlying,almostsupernatural,mysteriousaspectthatisleftunresolved,infactbarelyexplored,whichisslightlydisappointing,butonlybecauseit’ssofascinatingthatIwishtherewasmore.Actingisgreatallaround.Particularlythevillains:MiroslavMacháchekasthepriest,castingasinisterandimposingshadowwhereverhegoes,andCestmírRandaastheweasellikeregentbehindallthepersecution.WhileVítOlmerbringsacharismaticleadingmanpresenceinhisroleasthemiller’ssonJan,inlovewiththelovelyorphangirlMartina(KarlaChadimová),whobecomesadangerousobjectofrivalrybetweenJanandotheryoungmenofthevillage.ThefilmalsofeaturestheevocativemusicofZden?kLi?ka(perhapsthemostprolificcomposeroftheCzechNewWave).InthishissecondofelevencollaborationswithVlá?il,hiscompositionsareusedsparingly,buttogreateffect,complimentingbutneveroverpoweringascene.Thebestexampleofwhichcanbeheardinanamazinglyshotcelebrationanddancesequenceattheendofthesecondact.TheDevil’sTrapmightnotbeamasterpiece,butitisstillastrongeffort,withafascinatingstraightforwardstoryandaglorioushistoricalsettingcapturedbeautifullybyVlá?il’sunmistakablevisualprowess.AfineworkthatwouldalsobetheperfectstarterplatetoprepareyourselfforthechallengingfeastofMarketaLazarováorTheValleyoftheBees.Itevenhasaneasytodigestrunningtime.It’sthereforepuzzlingwhythisgemremainslargelyoverlookedandignored.

簡(jiǎn)介：@chenchun8219劇情：車站上，火車快開車了。旅客們忙碌地在趕著上車，帥克也帶著幾個(gè)沉重的皮箱吃力地在向車廂走去。開車鈴響，列車員把帥克推上車，車便開走了。帥克的一個(gè)皮箱留在站臺(tái)上。盧卡什中尉對(duì)帥克丟掉他的皮箱很惱怒，而帥克卻是心平氣和地勸中尉不要激動(dòng)。他說：箱子里沒有什么貴重的東西，反正是從房東那里弄來的，丟了也沒有什么可惜。盧卡什把帥克攆了出去。帥克又進(jìn)來了，他坐在一位禿子紳士的旁邊。帥克問他是不是某銀行的經(jīng)理，又說據(jù)醫(yī)生說，一個(gè)人被禁閉六星期以上。頭發(fā)就會(huì)掉去很多……，這些話激怒了這位紳士，原來他是一位將軍。他把帥克攆了出去，并把盧卡什中尉訓(xùn)斥一頓。帥克在車廂走廊里，又和乘務(wù)員攀談起來。他對(duì)緊急剎車器感到興趣，順手去拉，想試試靈不靈?；疖囃蝗煌Ａ讼聛?，旅客們不知道發(fā)生了什么事，都驚恐起來。列車長(zhǎng)對(duì)帥克說，到了塔堡后，要把他扣留下來。火車開走，帥克留在塔堡車站。他沒有證件，憲兵以為他是間諜，把他逮捕送到憲兵隊(duì)長(zhǎng)那里。一切查明，帥克被釋放，他徒步向布求維斯走去。結(jié)果走錯(cuò)了路，來到善捉鎮(zhèn)，老鄉(xiāng)們幫助了他。憲兵大隊(duì)長(zhǎng)科尼格到善捉鎮(zhèn)布置抓逃兵的工作，分隊(duì)長(zhǎng)弗蘭得卡奉命物色暗探監(jiān)視人民，四處搜捕逃兵。弗蘭得卡以為帥克是俄國(guó)間諜，眼看可以得到大筆獎(jiǎng)賞，他非常高興請(qǐng)帥克喝酒。帥克被當(dāng)作俄國(guó)的高級(jí)間諜送到城里，押送他的本納斯喝得大醉，帥克不得不牽著他走，并用車把他推進(jìn)城去。帥克被釋放后，又回到盧卡什那里充當(dāng)傳令兵。杜布少尉禁止士兵們到妓院去，而帥克卻發(fā)現(xiàn)他自己在妓院里，杜布喝的大醉，帥克不得不把他抬回部隊(duì)。部隊(duì)向前線開拔，盧卡什命帥克等三人前去找宿營(yíng)地。帥克獨(dú)自一人沿小河走去，他在路旁找到一套俄國(guó)軍裝，他剛剛穿上這套衣服，就被自己的部隊(duì)逮捕，軍事法庭要以叛國(guó)罪，判處帥克死刑。后來，帥克所在的連隊(duì)把他要了回去。帥克經(jīng)歷了一場(chǎng)風(fēng)險(xiǎn)回到連隊(duì)，受到朋友們的歡迎。

簡(jiǎn)介：83 min

簡(jiǎn)介：An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.

簡(jiǎn)介：A workman is accidentally sent into outer space, where he meets an alien that can make himself invisible. They return to Earth in the year 2447. Complications ensue.

簡(jiǎn)介：When a comet passes the earth very closely, it pulls a small part of North Africa with it. Carried along is a bunch of people. Among them Angelika, who just escaped from a ruthless weapon dealer's ship, and her two brothers, who are searching her. Then there's a group of natives, who plan a rebellion against the French colonists. All these conflicts become secondary when the people finally realize that they are doomed to live together on an alien planet. However this time of peace and world-happiness won't last for long...