簡介：影片改編自道迪·史密斯的小說，故事設(shè)定在20世紀(jì)70年代朋克搖滾革命時期的倫敦，講述了一個名叫艾絲黛拉（艾瑪·斯通 飾）的年輕騙子的故事。艾絲黛拉是一個聰明又有創(chuàng)意的女孩，她決心用自己的設(shè)計讓自己出名。她和一對欣賞她的惡作劇嗜好的小偷交上了朋友，并能夠一起在倫敦的街道上建立自己的生活。有一天，艾絲黛拉的時尚品味吸引了馮·赫爾曼男爵夫人（艾瑪·湯普森 飾）的眼球，她是一位時尚界的傳奇人物，擁有毀滅性的時尚和可怕的高雅，但他們的關(guān)系引發(fā)了一系列事件，導(dǎo)致艾絲黛拉去擁抱她的邪惡一面，成為了兼具瘋狂、時尚和報復(fù)心的庫伊拉。

簡介：茱蒂絲（貝蒂·戴維斯 Bette Davis 飾）是混跡在上流社交圈里的交際花，一次偶然中，她發(fā)現(xiàn)自己的腦袋里長了一個腫瘤，命不久矣。悲觀而又倔強的茱蒂絲決定對自己所剩無多的人生放任自流，開始了夜夜笙歌的無度生活。　　在一場派對上，茱蒂絲結(jié)識了腦科醫(yī)生斯迪爾（喬治·布倫特 George Brent 飾），斯迪爾為茱蒂絲進(jìn)行了腦科手術(shù)，成功的取出了腫瘤，與此同時，兩人也墜入了情網(wǎng)之中。茱蒂絲和斯迪爾很快就攜手步入了婚姻的殿堂，婚后的生活充滿了幸福和快樂，直到有一天，茱蒂絲發(fā)現(xiàn)自己的腫瘤復(fù)發(fā)了。絕望之中，她恢復(fù)了從前放縱的生活，這令斯迪爾感到非常痛苦。

簡介：貝蒂·戴維斯的最佳代表作之一！導(dǎo)演埃德蒙·古爾丁在劇情的處理上收放有度，演員表現(xiàn)也十分精彩，故可看性相當(dāng)高。前美國總統(tǒng)羅納德·里根在片中出演配角，漢弗萊·鮑嘉則演一名置身事外的馬廄主人。影片獲第12屆奧斯卡最佳電影、電佳女演員和最佳音樂三項提名。\r貝蒂飾演一名個性倔強的社交名媛茱蒂·杰海麗，因為發(fā)現(xiàn)自己腦部長了一個腫瘤，故意放縱自己的生活，摧殘自己的身體，整日在紐約長島的上流社會宴會及騎馬場之間流連，直至英俊瀟灑的腦科大夫斯蒂爾為她做了一次成功的手術(shù)之后，他倆開始墜入愛河，不久并結(jié)合夫婦。正當(dāng)杰海麗改變自己的人生態(tài)度，享受幸福的婚姻生活時，她又驚愕地發(fā)現(xiàn)手術(shù)其實并未根治她的絕癥，她只可以再活一年……為排除絕望后的痛苦，杰海麗恢復(fù)了繁忙的夜生活，最終在愛人眷戀中離開了人世……

簡介：《典當(dāng)商》改編自EdwardLewisWallant同名小說，主人公是一名猶太人典當(dāng)商，從納粹集中營逃出后在紐約哈萊姆經(jīng)營當(dāng)鋪時維持生計，男主角羅德·斯泰格爾由此獲得了當(dāng)年奧斯卡影帝的提名。

簡介：著名女編劇麗莉安．海兒曼的百老匯舞臺劇搬上銀幕，在二次世界大戰(zhàn)期間生動地反映了德國納粹間諜的陰影無所不在的恐怖感。保羅．盧卡斯飾演從德國逃到美國的反納粹地下組織領(lǐng)袖，他和妻子蓓蒂．戴維絲可以在華盛頓的新環(huán)境中得到安全的生活，不料同樣受到納粹間諜的監(jiān)視困擾。導(dǎo)演赫曼．沙姆林從心理層面來反映戰(zhàn)時美國民眾反法西斯的面貌，以下個動人的故事提醒觀眾“匪諜就在你身邊\"，可以說是一部藝術(shù)性的政策片。曾獲奧斯卡最佳男主角獎。

簡介：弗令一家人經(jīng)歷上次那場可怕的遭遇后，舉家遷居到新的地方，希望從此平安無事。但是地獄里的惡靈并未罷手，又次正蠢蠢欲動準(zhǔn)備再度侵襲。

簡介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.