簡介：“二戰(zhàn)”時(shí)期，盟軍要實(shí)施安奇奧登陸計(jì)劃，迫于對一門叫安奇奧大炮的超級武器的忌憚，要派兩個(gè)精銳特工去摧毀這門大炮，結(jié)果兩個(gè)傻逼被派了去，最后經(jīng)過一連串搞笑事件，陰差陽錯(cuò)的最后完成了任務(wù)?！　∑我唬旱聡嗽诒狈遣贾昧艘粋€(gè)陷阱，準(zhǔn)備了一幅假的防御工事地圖讓這二個(gè)士兵帶回去。他們卻陰差陽錯(cuò)的拿走了真的地圖，最終贏得了戰(zhàn)役?！　∑味核麄兓b成管道工潛入德軍在意大利的司令部，給他們衛(wèi)生間的管道修得亂七八糟，把將軍淋了個(gè)落湯雞。將軍去換衣服，拉開抽屜發(fā)現(xiàn)一套新的軍服，于是洗頭洗臉準(zhǔn)備換上新軍服的時(shí)候閉著眼把臉盆里的臟水倒進(jìn)抽屜里了（柜子旁邊有一個(gè)廢水桶）。那個(gè)將軍是最主要的一個(gè)配角，很有意思。到影片結(jié)束前1分鐘，都沒有一句臺詞。最后說了一句“謝謝”?！　∑稳旱萝娪幸婚T超級大炮俯視著聯(lián)軍將要登陸的海灘。這二個(gè)士兵居然化裝成希特勒和隨從，去視察大炮，把大炮炸掉了。　　In May 1943, two American soldiers, Joe and Frank, of Italian descent are searching the North African desert for a German general called Von Kassler, when they are captured by Von Kassler aide Inge Schultze who lets them escape with fake war plans, only Joe and Frank steal the real war plans which pave way for the Allied victory. Months later, the duo once again come up against Von Kassler when they are captured at Anzio and try to outwit the Nazis a second time

簡介：故事發(fā)生在第二次世界大戰(zhàn)期間，為了躲避戰(zhàn)火，堅(jiān)強(qiáng)的母親塞西拉（索菲婭·羅蘭 Sophia Loren 飾）帶著13歲的女兒羅塞塔（艾倫諾拉·布朗 Eleonora Brown 飾）離開了他們的故鄉(xiāng)羅馬，暫時(shí)來到地處偏遠(yuǎn)的小鎮(zhèn)西賽羅定居。在這里，塞西拉結(jié)識了準(zhǔn)備成為醫(yī)生的小伙子米凱爾（讓-保羅·貝爾蒙多 Jean Paul Belmondo 飾）。　　米凱爾是一個(gè)生性浪漫的男人，熱愛文學(xué)，他教羅塞塔識字讀詩，久而久之，羅塞塔愛上了他，可是很顯然，米凱爾的目光始終鎖定在塞西拉的身上。為了幫助塞西拉搞到食物填飽肚子，米凱爾來到了父親的朋友家，哪知道在那里遇見了一個(gè)德國軍官，德國軍官強(qiáng)烈譴責(zé)米凱爾不上戰(zhàn)場的行為，并且打算強(qiáng)行把他帶走。

簡介：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!