簡介：故事發(fā)生在第一次世界大戰(zhàn)時期的愛爾蘭，羅茜（莎拉·米爾斯 Sarah Miles 飾）是一個個性開朗熱情奔放的女孩，她愛上了名為查爾斯（羅伯特·米徹姆 Robert Mitchum 飾）的小學校長，雖然兩人的年輕相差巨大，但羅茜猶如飛蛾撲火一樣的不顧一切，同查爾斯攜手步入了婚禮的殿堂?！　∪欢?，新婚當夜，兩人之間就發(fā)生了激烈的爭吵。直到此時羅茜才發(fā)現(xiàn)，自己和查爾斯在性格上根本就不相配，但是為時已晚。之后，羅茜邂逅了少校蘭德福（克里斯托弗·瓊斯 Christopher Jones 飾），后者向羅茜展開了熱烈的攻勢，羅茜又一次墜入了情網。一連串意外的發(fā)生讓羅茜成為了村子里的眾矢之的，村民們將她囚禁了起來，想要給予她應受的懲罰。

簡介：Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007　　Author TimothyFarrell from Worcester, MA　　Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)　　-from imdb