簡介：米哈伊爾是一位年輕的商人，憑著一股狠勁，他迅速取得了成功。他的生活充斥著一系列的商務(wù)會議，談判和公關(guān)，根本無暇顧及個人生活，思考除了生意以外的事情。因?yàn)閺男≡诠聝涸洪L大的父親一直教育他，不能有愛，這會是致命的軟肋。最近米哈伊爾與合伙人在一項(xiàng)地產(chǎn)開發(fā)項(xiàng)目中遇到了兩位“挖掘者”的阻攔，他們要求項(xiàng)目暫停，直到他們完成挖掘被掩埋紅軍戰(zhàn)士的遺體為止。為了擺脫糾纏，米哈伊爾假意跟隨其中一人進(jìn)入地下防空洞，誰知陰差陽錯，他居然穿越到了二戰(zhàn)期間……作為旁觀者，身處戰(zhàn)場的米哈伊爾并不會遭遇危險(xiǎn)，士兵們也無法感知他的存在。就這樣，在一次又一次短暫的穿越中，米哈伊爾看到了人間大愛，看到了那些為了祖國未來而無畏犧牲的無數(shù)小我，并且經(jīng)由線索，他發(fā)現(xiàn)那些穿越回去接觸到的英雄，居然是他的祖輩。

簡介：“It is a film from an extended series. It is hard to say who is the main character of “The Soviet Elegy.” There are more than a hundred faces of our compatriots. But, of course, it is not by chance that it is the destiny of a famous political figure, Boris Nikolayevitch Yeltsin, that bears a special accent in the film. Though he got to power following quite typical ways, his uncommon character puts him out of the ordinary, and in the author’s opinion it may be determined by his uncommon human nature. Our hero exists within the tragic pattern of the soviet socialist life. He is a character of a drama, of which he is one of the authors. “The Soviet Elegy” can hardly be called a documentary film in the proper sense. Of course, the author guarantees the accuracy of chronology, but he insists on an artistic mode of thinking, not on a political or historical investigation.”