簡介：政府不顧民意反對，執(zhí)意要將古老寧靜的小鎮(zhèn)變作一家大型化工廠的所在地，并言如此可以大大增加就業(yè)機會。有豐富企業(yè)管理經(jīng)驗、對黨忠誠的Stefan Bednarz（Franciszek Pieczka）被任命著手這一切。小鎮(zhèn)是Bednarz和妻子（Halina Winiarska）的故鄉(xiāng)，兩人多年前曾因一起事件離開，今Bednarz要妻子同去，被拒。　　工廠建成之初，雖有居民抗議政府的暴行，但一切還算順利。投入生產后，之前居民擔憂的環(huán)境會日益糟糕等問題凸顯，政府與居民的關系開始緊張，Bednarz做中間協(xié)調人幾近憔悴。而電視臺導演（Michal Tarkowski）對工廠的持續(xù)關注、助手（Jerzy Stuhr）將居民意見刻意過濾、被迫與當年迫使他和妻子遠離故鄉(xiāng)的舊敵搭檔工作、女兒（Joanna Orzeszkowska）的漸行漸遠等事情，則令他慢慢明白自己不過是一枚棋子，萌生辭職念頭。

簡介：講述卡羅爾、莫里斯和馬科斯三個好朋友辦工廠夢的過程，真實冷靜的展示了波蘭資本主義初期殘酷的社會畫卷。

簡介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.